墨墨光、默默送

題目: 墨墨光、默默送

‘墨’ 有多色: 焦、濃、重、淡、清、濃、幹、濕、黑 等等

白 ‘光’ 是一种包含光谱中所有颜色光的颜色

通常被认为是“無色”的,(但和黑色的無色正相反)

其明度最高,色相為零。光譜中所有可見光的混合也是白光

‘光’ 與 ‘墨’ 的關係亦息息相關, 如 “易經” 所言 [ 孤陰不生,獨陽不長 ]

‘墨’ 的濃淡變化要依靠 ‘光’ 的析射才能被體現出來

而空間的厚度和深度也是依賴 ‘光’ 才可以被察視到

假設,

如果以 “五行” 的概念去思考 ‘光’ 和 ‘墨’ 倆者的變化

其中的 [生]、 [剋],[制] 、[化],[會] 、[合],[刑]、 [沖] 是如何形成

大自然生生循環不息的過程是否可以依 ‘光’ 與 ‘墨’ 的關係遊玩出來

Text by HUNG Keung 20/01/2015

====

現實但非真相

當觀眾入場後

將會發現有三個展示空間

亦將會有三個的自己出現

第一個是現實中的自己

是具像的

有血有肉的實體

我最熟悉的自己

另一個是反映在鏡子中的自己

一個和平現實中自己剛剛相反的自己

存在于物理和光學原理內的空間

第三個是透過鏡中攝錄機角度所看見(拍攝中)的自己

透過電腦處理影像程式從而投射於牆身上

所投射出來的影像(自己)角度亦非如物理學中鏡的反射倒影

而是從鏡子內

或從鏡子後嘅視覺角度重新看一次自己

呢三個自己每一個都係真實存在着的嗎

還是三個都冇可能係真實地代表著自己

一個係空氣中的自己

一個係物理及光學中的自己

另一個係數碼化中的自己

三個都是存在於現實中

但同時三個都不是唯一真實存在著的

下一步

我想是以 ‘光’ 去理解這三個不同空間的關係

以光 – 一種非物質的形狀來再次演繹這個概念

究竟在鏡中所反射出來的光是否還存在光的本質

而透過數碼電腦影像處理投射出來的光

是否只是數碼pixel 的組合結果

哪一個才是光的真實載體

在現實中,又有沒有所謂真相的呢

而在數碼換算下所呈現的空間

雖然

連肉眼看不見的微塵也因此而可以重現了

但是

‘凡塵’,’現實’ 卻是不是從來都不需要再重現的呢

When the audience enter
They will find three display spaces
And three of themselves 

The first one is the self in reality
Which is representational
And carries flesh and blood
The one that they are most familiar with

The other self is the reflection is the mirror
It is the exact opposite of the true self in reality
And it exists in the space of physical and optical theories

The third self is being filmed by a recorder in a certain angle in the mirror
It is projected on the wall after the image is processed by computer imaging program
The projected image (self) is not like the physical mirror reflection
It allows you to review yourself in a new angle
From inside the mirror or behind the mirror 

Do all three selves exist in reality
Or none of them truly represents the real being

One self exists in the air
One self exists in physics and optics
One self is a digitalized self

All three exist in reality
But none of them is the only one that truly exists 

Next step
I want to use ‘light’ to understand the relationship between the three different spaces
I want to reinterpret this concept with the use of ‘light’, non-physical shapes
Does light reflected by the mirror still carry the original nature of light
And projected light after processed by digital computer imaging program
Is it merely a combination of digital pixels
Which one is the true carrier of light
And in reality, is there such a thing as the truth

In the space presented by digital conversion
The fine dust not visible to the naked eye is reproduced
But
When it comes to the mundane world and reality
Do they ever need to be reproduced 

Text by HUNG Keung 16 09 2015

===

’ 有多色: 焦、濃、重、淡、清、濃、幹、濕、黑 等等

How many shades can we find in ink? Charcoal, dark, heavy, light,  clear, dry, wet and black.

白 ‘’ 是一种包含谱中所有颜色的颜色

The white light is a color that encompasses all colors in the spectrum.

通常被认为是“無色”的,(但和黑色的無色正相反)

And it is sometimes regarded as colorless, while contrasting the colorlessness of black.

其明度最高,色相為零。譜中所有可見的混合也是白

It has the highest level of brilliance. Its hue is zero. The combinations of visible lights in the spectrum are all white lights.

’ 與 ‘’ 的關係亦息息相關, 如 “易經” 所言 [ 孤陰不生,獨陽不長 ]

‘Light’ and ‘ink’ are closely related.  As The Book of Changes explains, ‘Yin cannot exist without Yang, and Yang does not grow without Yin.’

’ 的濃淡變化要依靠 ‘’ 的析射才能被體現出來

The intensity of ink is realized by the reflection of light.

而空間的厚度和深度也是依賴 ‘’ 才可以被察視到

While the thickness and depth of space is also only perceivable with light.

假設,

如果以 “五行” 的概念去思考 ‘’ 和 ‘’ 倆者的變化

If we consider the changes of light and ink with the concept of the five elements

其中的 [生]、 [剋],[制] 、[化],[會] 、[合],[刑]、 [沖] 是如何形成

How ‘birth’,  ‘restraint’, ‘control’, ‘change’, ‘convergence’, ‘merging’, ‘punishment’ and ‘conflict’ are formed.

大自然生生循環不息的過程是否可以依 ‘’ 與 ‘’ 的關係遊玩出來

Can we play with the correlation between light and ink and create the circles of life in nature?
text by HUNG Keung

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